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Contemporary art market: collectors favour local artists at auctions [09/25/2002]
The art market is undeniably international. Works are being created
and traded world-wide. And increasingly prices are tempting producers and purchasers
alike to cross borders. The more expensive a work, the more international its reach,
since potential buyers have deeper pockets and can pay more.
A survey of the top-selling contemporary artists in each main auction venue (see table)
shows auction houses placing the most value on home-grown artists. With some exceptions,
even the most fashionable artist at home in auctions sales will not necessarily stand
among top selling artists in the other countries’ rankings. Spanish Miquel BARCELO
is one of the rare exceptions, as about 90 % of its turnover is realised in London.
Leader's place of the public sales of contemporary art in the United Kingdom in 2001
emerges from it. His recent record sale in London, a hammer price at GBP 850, 000
on June 26th 2002, should confirm its position this year again. On the other hand,
the European art lover avid to get itself a creation of the American Bruce NAUMAN
at auction have difficulties being satisfied somewhere else than in the United States.
Several reasons in it.
At first, when the success confirms for an artist, it becomes difficult to find abroad
his works in public sales. The market remains subjected to the limits of the artist’s
production and is often dried up once satisfied the national demand.
Secondly, every country tends to keep(guard) its specificity by maintaining
the promotion of the national production. Artists’ and buyers’ local roots still run
deep. Confronted with an increasingly integrated world cultural space, international
auction houses such as Sotheby’s and Christie’s develop diversification strategies
to reach the public with a taste for contemporary art. One way is to play on the persistence
of national differences.
The art market may be becoming international but it is not globalised and specificity
is still a key issue when it comes to culture.
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Contemporary artist, born after 1940,
the most valued by auction
Classification from the turnover
realized at auctions in 2001 by the artist in the considered country
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Country of sale
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Leader contemporary artist
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Birth country
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Turnover in 2001
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percentage of the artist's turnover
in the country of sale
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United States
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Bruce NAUMAN (1941)
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U.S.A.
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EUR 12 285 463
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99,9%
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United Kingdom
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Miquel BARCELO (1957)
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Spain
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EUR 2 536 324
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90,7%
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France
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Robert COMBAS (1957)
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France
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EUR 581 095
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97,7%
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Australia
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Garry SHEAD (1942)
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Australia
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EUR 328 499
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100,0%
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Taiwan
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CAI Guoqiang (1957)
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China
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EUR 233 288
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100,0%
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N. Zealand
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Bill HAMMOND (1947)
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N. Zealand
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EUR 172 707
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88,4%
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Germany
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Rainer FETTING (1949)
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Germany
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EUR 185 639
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68,2%
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Italia
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Mimmo PALADINO (1948)
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Italia
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EUR 168 077
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21,2%
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Irland
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John SHINNORS (1950)
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Irland
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EUR 126 594
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100,0%
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Israel
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Meir PICHHADZE (1955)
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Israel
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EUR 90 668
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100,0%
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Spain
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Guillermo PEREZ VILLALTA (1948)
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Spain
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EUR 69 980
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100,0%
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Netherlands
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Rob KONINGSBRUGGEN VAN (1948)
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Netherlands
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EUR 63 147
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100,0%
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Switzrland
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Richard TUTTLE (1941)
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U.S.A
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EUR 45 365
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8,2%
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Denmark
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Kurt TRAMPEDACH (1950)
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Danemark
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EUR 40 845
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100,0%
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Canada
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David Lloyd BLACKWOOD (1941)
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Canada
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EUR 38 476
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100,0%
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Sweden
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Bo LARSSON (1945)
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Sweden
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EUR 37 934
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100,0%
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